本部影片取材于马索科的《穿裘皮的维纳斯》小说名作，影片有着浓烈的诙谐讽刺的幽默感，兼有后现代戏剧的感觉。这不是一部单纯讲述SM的影片，而是通过这种形式宣告着女性在社会地位中的不断崛起，通过戏中戏和电影故事的穿插，虚实结合，让演员在饰演角色和现实中来回摆动，让演员自身的界限不再清晰

整部影片始终只有男女主人公两大主线，男女主人公在一场即兴演出后，女主人公因无法忍受戏中对女性的歧视台词和桥段要离开，在男主人公的邀请下继续回来演出，电影的后半段女主人公不再穿着那些古典戏服，而是以紧身皮革衣露面，这预示着女主人公要脱离男主人公的掌控和束缚，此外女主人公越来越强势并脱离传统的屈服于男性的形象并在电影最后一幕发生反转。

This film is based on Masoko's famous novel "Venus in Fur". The feeling of postmodern drama. This is not a film that simply tells about SM, but through this form, it declares the continuous rise of women in social status. Through the interplay of drama within drama and movie stories, the combination of fiction and reality allows the actors to swing back and forth between the roles they play and reality. , so that the boundaries of the actors themselves are no longer clear

There are always only two main lines of the hero and heroine in the whole film. Discriminatory lines and plots against women have to leave, and continue to come back to perform at the invitation of the male protagonist. In the second half of the movie, the heroine no longer wears those classical costumes, but shows up in tight leather clothes, which indicates that the heroine will be Breaking away from the control and restraint of the male protagonist, in addition, the heroine is becoming more and more powerful and breaking away from the traditional image of submitting to men and reversed in the last scene of the movie.