整个故事内容是从不婚主义者自身的逻辑进行进一步的了解故事的，男主是不婚主义者的缩影，因为男主觉得没有意义或者是逃避责任。于是选择活在自己的城堡当中，严禁他人进入整个剧情，用温情的方式传达了一个观念，在人生当中所谓的形式不仅仅是形式，还有很多人生中的意义，过程和形式，本身是意义的所在

39岁的上班族，大介沉浸在自己的生活中，拒绝别人融入在自己的生活圈，较为自卑，对于流行和潮流非常敏感。虽然和其他人交往没有任何问题，但是他讨厌被爱情伤害，于是就感觉个人的生活也非常满足。有一天他的父亲出现，打扰到他单身的贵族生活，他的父亲瞒着儿子再次进行婚姻，还带着再婚妻子和妻子的儿子，找到了大介一起生活，在一起生活的过程当中发现了婚姻的种种。

The content of the whole story is to further understand the story from the logic of the unmarriageists themselves. The male protagonist is the epitome of the unmarriageists, because the male protagonist The Lord felt that it was meaningless or evading responsibility. So I chose to live in my own castle, strictly forbidding others to enter the whole plot, and conveyed a concept in a warm way. The so-called form in life is not only a form, but also a lot of meaning in life. Process and form are meanings in themselves where

A 39-year-old office worker, Daisuke is immersed in his own life, refuses others to integrate into his life circle, and has low self-esteem. Fashion and trends are very sensitive. Although there is no problem with other people, he hates being hurt by love, so he feels very satisfied in his personal life. One day his father appeared and disturbed his single aristocratic life, his father remarried without telling his son, and brought his remarried wife and his wife's son, found Daisuke to live together, and found marriage in the process of living together of all kinds.