《清宫气数录》是一部历史题材的电影，讲述了风水奇人廉抱山在咸丰年间，为了寻找延续清室气数的法术而展开的故事。其中涉及到他与庙祝何虫之间的竞争与合作，以及何虫与慈禧太后之间的纠葛。

故事从何虫原本是一名小庙祝开始，但实际上对风水术数并不通晓。在与懂风水的廉化忌的比试中，虫虽然不是对手，但他拥有天赋异禀的“触机”能力，对风水问题有独到见解。这让他得到了忌父廉抱山的赏识，被选中进宫寻找上佳风水穴。在这过程中，他遇到了后来的慈禧太后兰儿，并对她产生怜悯之心，欲改变她的命运。

然而，随着时间推移，廉抱山对虫的嫉妒与猜忌逐渐加深，使虫最终被放逐到香港。在香港，他遇到了隐士高人，学到了更高深的风水命理之术。后来，慈禧得势之后，却背弃了自己曾经的承诺和恩情，对付当初帮助她的义士。虽然她放过了虫，但这个决定却为中国埋下了百年祸根，也让虫卷入了后来的恩怨情仇。

电影《清宫气数录》通过讲述廉抱山和何虫之间的竞争与合作，以及虫与慈禧太后的情感纠葛，展现了一段风水命理的奇幻历程。影片在香港的画面也让观众感受到了历史与现实的交融之美。这部电影不仅仅是一部历史题材的作品，更是一部反思和思考人性、命运与历史的作品，值得观众深入品味。

"Qing Gong Qi Shu Lu" is a historical movie, which tells the story of Lian Baoshan, a geomancer in Xianfeng, The story unfolds in order to find a spell to continue the cleansing of the room. It involves the competition and cooperation between him and Miao Zhu He Chong, as well as the entanglement between He Chong and Empress Dowager Cixi.

The story begins with He Chong who was originally a small temple priest, but in fact I don't know the number of Feng Shui spells. In the competition with Lian Huaji, who knows Fengshui, although Chong is not an opponent, he has a gifted "touch" ability and has unique insights into Fengshui issues. This earned him the appreciation of his father, Lian Baoshan, and was chosen to enter the palace to find the best Fengshui points. In the process, he met Lan'er, the later Empress Dowager Cixi, and felt compassion for her, intending to change her fate.

However, with the passage of time, Lian Baoshan's jealousy and suspicion of insects Gradually deepened, so that the worm was eventually exiled to Hong Kong. In Hong Kong, he met an expert hermit and learned more advanced techniques of feng shui and numerology. Later, after Cixi gained power, she betrayed her previous promise and kindness, and dealt with the martyrs who helped her in the first place. Although she let Chong go, this decision planted a century-old bane for China, and also involved Chong in subsequent grievances.

The film "Qing Gong Qi Shu Lu" tells the story of Lian Baoshan and He Chongzhi The competition and cooperation among them, as well as the emotional entanglement between Chong and Empress Dowager Cixi, unfolded a fantastic journey of feng shui and numerology. The scenes of the film in Hong Kong also made the audience feel the beauty of the fusion of history and reality. This film is not only a work of historical themes, but also a work of reflection and thinking about human nature, destiny and history, which is worthy of deep appreciation by the audience.