《推手》是1991年12月7日在中国台湾上映的剧情片，本片主要讲述了老朱退休之后被儿子接到美国生活，由于生活习惯不同加上语言不通而引发的一系列家庭矛盾，同时也反映了中西方文化交融和碰撞的现象。
本片主要内容是老朱来到美国和儿子儿媳妇一起生活，但由于文化的差异，老朱与儿媳妇之间相互影响，闹得不愉快，老朱在练拳的时候认识了陈太太，两人一见如故，第2天陈太太搬到别的地方去，老朱像丢了魂儿一样，整天守着电话，老朱与儿媳妇的矛盾再度升级，影响儿媳妇写作的老朱被儿媳妇一气之下关掉电视，老朱也因此离家出走，为了摆脱老朱，儿媳妇与陈太太儿女商量撮合两人，但最终被识破，心灰意冷的老朱只要求一间公寓独立生活，陈太太也遭到同样的待遇，两位老人表示无可奈何。
"Pushing Hands" is a feature film released in Taiwan, China on December 7, 1991. This film mainly tells the story of Lao Zhu being picked up by his son after retirement. American life, a series of family conflicts caused by different living habits and language barriers, also reflects the fusion and collision of Chinese and Western cultures
The main content of this film is that Lao Zhu came to the United States to live with his son and daughter-in-law. The daughter-in-law interacted with each other and had an unpleasant quarrel. Lao Zhu met Mrs. Chen when he was practicing boxing. , the conflict between Lao Zhu and his daughter-in-law escalated again. Lao Zhu, who affected his daughter-in-law’s writing, was angrily turned off the TV by his daughter-in-law, and Lao Zhu also ran away from home. But in the end it was discovered that the disheartened old Zhu only asked for an apartment to live independently, and Mrs. Chen was also treated in the same way. The two old people expressed their helplessness.
深刻的人性描写：《推手》以一个普通人的故事为背景，通过细腻的情感描写和人性的探索，深深触动了观众的心灵。导演李安巧妙地展现了主人公的内心挣扎和成长，通过角色的演绎和情节的推进，探讨了人性的复杂性和内心的纠结。影片通过真实而细腻的方式呈现了生活的种种困境和选择，引发观众对人性和命运的思考。
李安的导演才华：《推手》展现了李安导演的卓越才华。他以独特的导演手法和细腻的叙事风格，将电影的情感和主题完美地传达给观众。导演对细节的把握和角色的刻画非常出色，使得整个电影具有深度和张力。他巧妙地运用镜头语言和画面构图，将观众带入到角色的内心世界，让人产生强烈的共鸣和情感共鸣。
精湛的演技和情感表达：演员们的精湛演技也是《推手》的一大亮点。郎雄、王莱、王伯昭和戴布·斯内德都呈现出出色的表演，将角色的情感和内心状态展现得淋漓尽致。他们通过细腻的演技和情感表达，使得观众能够更好地理解和感受角色的心路历程。演员们的出色演出为电影增添了许多情感和触动。
综上所述，《推手》是一部深刻的人性描写，展现了导演李安的才华和演员们的精湛演技。我会给这部电影打9分（满分10分），因为它通过细腻的情感描写和出色的表演，成功地探索了人性和命运的复杂性，给观众带来了深刻的触动和思考。
